Euphonix MixView CS3000 Manual de usuario descargar pdf (Pagina 11)

Surround

Sound for

Today...and

Tomorrow

Home theater sound systems and motion

picture sound tracks have raised consumer

expectations for multi-channel audio playback.

The DVD technology provides a media capable of

delivering up to two hours of video programming with

5.1 channel surround sound tracks on a single disk,

replacing the VHS home video player. The new broadcast

standards, Advanced Television (ATV) and Direct Satellite

Broadcasting (DSB) will bring digital video and surround sound

directly into the television adding significantly to the growing

demand for programming with high quality surround sound. A console

that can’t keep pace with these trends faces the same destiny as the

typewriter. The Euphonix CS series consoles are designed to integrate

seamlessly with the Audio Cube expansion module, adding from 4 to 48 multi-

format mix buses. Hyper-Surround software defines these buses as stem mix

outputs in any surround format for multi-channel mixing.

™

Signal Processing

The Euphonix CS3000 is equipped with powerful processing such as the highly acclaimed 4 band equalizers and the optional advanced

dynamics processors and filters. Each dynamics processor includes presets to compress, expand, de-ess, limit and gate. Lower faders are

typically sourced from the multitrack return, freeing the automated upper faders for mono or stereo effects returns and additional inputs

to the mix. Each fader has a dedicated EQ, doubling the number of full function paths in the system during a mix.

Effects Devices

Four send controls in each channel feed 8 aux output buses per channel. The upper faders can be used as a send for lower

fader signals using a multitrack bus, which is then routed to outboard effects devices in exactly the same way as an in-line

system. Stereo effects devices may be returned on a single fader, which greatly increases input capacity.

Total Automation

Euphonix offers a level of creative possibilities that would not be possible with automation systems limited to

just faders and mutes. With MixView software version 3.0 the Euphonix provides expressive dynamic

automation of upper and lower channel faders and mutes, stereo panning, aux sends, and EQ. In addition,

SnapShots may be fired to timecode allowing instantaneous mix changes to occur at scene changeovers

(a feature unique to the Euphonix).

The Revisions and Remixes

Just when you thought it was safe to move on to the next project, the client comes back

with new visuals or revisions to the “final” mix. No problem with a Euphonix. Simply

reload the material on your machines, reload the mix title on the console and get ready

to go to work. Euphonix will recall and reset the mix right back to where you were

when you left it yesterday, last week or last year! No need to spend hours

recreating a mix to make a small change. With Euphonix Total Automation and

SnapShot Recall system engineers get more projects done in a day, with

better sound quality and happier clients. What could be better?

Simple To Operate

Euphonix automation is comprehensive, yet very simple to

operate. There are dedicated keys for master status, and

standard modes such as write, trim, touch record, safe,

monitor-before-record, write-to-head, write-to-end and

write-through the entire mix. It is even possible to

run automation while building in effects or music

tracks without interfering with normal

operation. Parts of the console may be

automated while others may be set to

manual. Automation moves are shown

on screen for each control in the

selected channel.

the final mix

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